The character
analysis worksheet allows me to break down my character script by script. It
allows me to know what my character wants and desire in my scenes. The activity
that my partner and I did in class about the Blank Scene 6 where my partner and
I had to see where the conflict was and use our imagination to fill in the
blank. It was a little difficult finding the conflict because the dialogue was
short like about one or two words. It was fun because our Blank Scene 6 was
about two characters hanging out together and my partner asks me if I wanted a
mint? I responded saying, “wait, why.” The conflict from this scenario was when
my partner asked me “If I wanted mint because he is implying that my breath
stinks.” Then, it gave my partner and I an idea which is to find our conflict
in the script called Goose and Tomtom by David Rabe. Our conflict starts on the
bottom page of 388 to the top of 389 where Tomtom says, “Now? Do you mean now?
Goose responds, “What?” Tomtom says, “Wait a minute a minute.” Goose reponds,
“No, no. After the thing there and the street and we’re by the mailbox there,
there, and we do the thing there by the mailbox, you know with our watches-so
what happen next?” Tomtom responds, “You mean in the plan?” Goose says, “Yeh. I
mean, fuckin’ A. That’s what we’re talkin’ about. The plan!” This small
dialogue shows where the two main characters Goose and Tomtom are arguing about
the plan and are losing communication because they do not understand each
other. According to Actor’s Alchmey
Finding the Gold in the Script, “ The ambivalence about leaving suggests a
conflict, and conflict is the engine of drama. It is the motor that powers any
story. There are three kinds of conflict, essentially: Person against person,
person against him- or herself, and person against nature or society. Of the
three, the most useful type of conflict for an actor and playwright is the
first. Invariably, when two people are put onstage or onscreen, a conflict can
be found between them” (26). These activities
that we did in class and the reading helped My partner and I to understand more
of our characters and where the conflict was in our script, which is big key
for our performance.
Yes, looking for the conflict will help you fuel your scene. If there is conflict that means you and your partner have opposing objectives. The tactics help you get there. Keep it up for your next scene.
ReplyDeleteI am interested in seeing if you can apply some of these lessons to your characters and scenes in CTW.